As one walks into the Marylebone Theatre, a cosy and intimate theatrical space tucked away just off Baker Street, the eye is immediately drawn to a cluttered attic. Old wardrobes and drawers stacked high, a worn armchair, and a golden harp nestled in the corner, all of it either covered in white cloth or coated in a thin layer of dust. On this cramped, airless stage, time feels suspended, and the past presses in with a suffocating force. Amongst the remnants of bygone days, old wounds linger...

Photo by Wallace Chuck via Pexels under the Pexels content licence “A man who’s not dangerous will never be seen as successful. You can’t be a little bitch,” Andrew Tate declares in the opening montage of Louis Theroux: Inside the Manosphere (2026), setting the tone for a documentary steeped in aggressive, chauvinistic rhetoric. While such vitriol may shock some viewers, it will come as little surprise to those familiar with the growing prevalence of online misogyny. In an era increasingly...

Photo by nidan via Pixabay (licensed under the Pixabay Content Licence ) Since the release of its first trailer, “ Wuthering Heights ” (Emerald Fennell, 2026) has made one thing clear: this is not a story about love conquering all, nor even about love consuming everything; rather, it is about the romanticisation and commodification of abuse shrouded under the pretense of love. Calling it an adaptation of Wuthering Heights would be an overstatement; many critics and devoted readers of...