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At the heart of this programme is Ruth Hardie, Head of Public Programming, whose curatorial vision shapes the Centre’s seasonal offerings. With a keen eye for innovation and inclusivity, Ruth helps orchestrate experiences that invite audiences to engage with art in meaningful ways.

Photo by Grace Mahoney In Trafalgar Square on the 26th of July, an enormous cohort of artists, musicians and dancers came together to...

The 'Milly Rock', it seems, belongs to no one and to everyone. The copyright questions remain unresolved, and the performance circles back to the essential rocking question: who owns what?

The breadth of the role of choreographer on today's stage

By all accounts, Robyn Orlin appears to be yet another dancer from a long lineage of dancers. “My mother was a dancer, my aunt was a...

The winning piece felt like a technical exploration of a concept rather than a fully fleshed, impactful piece. Utterly incomprehensible.

Rami Malek is also much less likeable than I’d hoped for, his Oedipus is far from the tragic hero that I was expecting to root for.

If there exists a selection of productions that exemplify the London dance scene's versatility and exceptional quality, it is these six...

John Cranko treats the novel and the opera of 'Onegin' with respect while adapting some elements for the ballet stage.

A format that I love for ballet newcomers is mixed bills, where a company presents multiple works, each between 10 and 30 minutes.