THEATRE

Reviewing 'Legally Blonde' by KMTS: "If there ever was a perfect musical, this one qualifies!"

The King’s Musical Theatre Society’s run of Legally Blonde, directed by Bea Watts and produced by Zelenie Luk , opened last week at the...

Gory Glory á Lucia: Reviewing 'Lucia de Lammermoor' at Royal Opera House

★★★★ Returning for its second revival at Covent Garden, Katie Mitchell’s infamous production of Lucia di Lammermoor has lost some of its...

'The Death and Life of All Of Us' Review

The Death and Life of All Of Us at Camden People's Theatre — starring Victor Esses — was perhaps less of a theatrical performance than it...

Reviewing 'Jenůfa' at the English National Opera

★★★★ ‘You only sinned out of love, as I sinned out of love’ sings Jenůfa, in the remarkable statement of forgiveness and hope which...

Politics is Personal: Reviewing 'Nye' at the National Theatre

Full of Welsh whimsy, political integrity and technicolour, Nye immerses you. Staged and Good Omens actor Michael Sheen is Aneurin Bevan,...

'The Greatest Play Of All Time' Review: A Blistering Love-Letter To Theatre and Greatness

"A 75-minute long blistering take-down of theatre culture in the UK." I remember reading Pirandello’s Six Characters In Search Of An...

Reviewing 'A Midsummer Night's Dream' by King's Shakespeare Society

"When the opportunity to see King’s Shakespeare Company arises again, I will seize it with both hands." Despite having studied A...

Reviewing 'How To Flirt: The TED XXX Talk' at The Box, Soho: Missing Notes but Electric in its Bones

Daisy Doris May took the stage at The Box as drag king persona Steve Porter for one night only, before the show debuts at Edinburgh...

Reviewing 'Macbeth' at Dock X London: More 'Trope' than 'Transfixing'

★★★ A a decent enough achievement, but one that made my mind wander throughout. I tend to associate Shakespeare with army fatigues,...

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