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Review: Sargent and Fashion at Tate Britain

Sargent and Fashion installation view with Lady Sassoon,1907 and Opera cloak, c.1895 at Tate Britain 2024. Photo © Tate (Jai Monaghan)....

We are not a muse: the forgotten female founder of the Royal Academy

★★★★☆ Angelica Kauffman, Portraits of Domenica Morghen and Maddalena Volpato as Muses of Tragedy and Comedy, 1791. Oil on canvas, 125 x...

‘Body and Flesh’ by Sofia Laskari Review: A Refreshing Take on the Femal Nude

★★★★☆ 'The Bite' by Sofia Laskari. Image by Faye Elder. The female nude has long been inscribed in a history of patriarchy and misogyny...

Barbican 'Unravel' Review: 'tells a story of an ancestral tradition rendered insignificant'

★★★★☆ Louise Bourgeois with her sculpture, THREE HORIZONTALS, in her home on 20th Street in New York City in 1999. © The Easton...

Mind over Matter: Yoko Ono at the Tate Modern Review

★★★☆☆ Yoko Ono with Half-A-Room 1967 from HALF-A-WIND SHOW, Lisson Gallery, London, 1967. Photo © Clay Perry. Ground-breaking,...

The Art of Banksy is a must-see, but only for hypocrites

★★★★☆ Banksy graffiti on Newman Street - One Nation Under CCTV The Art of Banksy on Regent Street boasts the largest collection of...

‘Surrealism and Witchcraft’ at LAMB Gallery review

Devil Hugging a Witch, public domain. ‘Surrealism & Witchcraft’, exploring characterizations of the witch figure, opened November 16 at...

The Saatchi Gallery’s 'Season of Sculpture': Silicate Lungs amidst Pyramids of Oil Barrels

Independence by Permindar Kaur. Photo by Alex Grenfell. The Saatchi Gallery’s Season of Sculpture gallery, which ran through December...

Review: ‘UVA: Synchronicity’ at 180 Studios

Using light and sound to question the fabric of our perception of the world, the sublime sometimes becomes ominous in the latest...

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