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Bush delves into the complexity and breadth of experiences that exist within womanhood itself; this is a deeply affective watch.

Brian Cox, as Bach, delivers a solid performance with a grandiose energy that harkens back to an older, less naturalistic style of acting.

This show excellently weaves in light-heartedness alongside the more profound, so the NT's added spectacle to abstract it feels unnecessary.

Frecknall tethers us to Blanche’s psyche in an acute way. It is as though the other characters can see the new world while Blanche cannot.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

Rachel Wagstaff’s writing shines in this adaptation that expertly blends theatre with a classic wartime story.

Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.

Admittedly, there are some hilarious moments, but the joke gets old fast.

Marber’s great accomplishment is his ability to preserve the essence of a great big Broadway musical in this intimate space.

The stellar performances from everyone in the cast are everything: moving, humorous, and uplifting.