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At the heart of this programme is Ruth Hardie, Head of Public Programming, whose curatorial vision shapes the Centre’s seasonal offerings. With a keen eye for innovation and inclusivity, Ruth helps orchestrate experiences that invite audiences to engage with art in meaningful ways.

The 'Milly Rock', it seems, belongs to no one and to everyone. The copyright questions remain unresolved, and the performance circles back to the essential rocking question: who owns what?

Little Simz, this year's curator of the Southbank Centre's annual Meltdown Festival © Thibaut Grevet Returning to one of London’s most...

By all accounts, Robyn Orlin appears to be yet another dancer from a long lineage of dancers. “My mother was a dancer, my aunt was a...

"I thought about how to find a visual representation of what humanoid life would be, and that’s how I decided to dual-role the actors."

Gig review of Toby Corton's futuretense Southbank Centre performance.

“ We love words .” When preparing for my interview with Ted Hodgkinson, head of literature and spoken word at the Southbank Centre, I...

Moments of vulnerability offer personal accounts of the problems that embroil a dance career: ageing, motherhood, and injury.

Photo by Anainah Dalal Capitalism is perhaps the most discussed phenomena in the world, whether it be by proponents of it or those that...

Photo by Sophie Davidson, courtesy of Southbank Centre 2024 is the year of The North. With many new books coming out featuring Northern...