strand

By all accounts, Robyn Orlin appears to be yet another dancer from a long lineage of dancers. “My mother was a dancer, my aunt was a...

Cate Blanchett’s Arkadina upholds equal parts grace and comedy and captures our respect. She wields absolute command over the stage.

Bush delves into the complexity and breadth of experiences that exist within womanhood itself; this is a deeply affective watch.

This show excellently weaves in light-heartedness alongside the more profound, so the NT's added spectacle to abstract it feels unnecessary.

Frecknall tethers us to Blanche’s psyche in an acute way. It is as though the other characters can see the new world while Blanche cannot.

Both pieces were crafted, edited, and perfected with an attention to detail that experienced choreographers lose over time.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

A keen sense of relatability propels 'Barcelona' forward, for comedy thrives on real-world relatability and is redundant in its absence.

This monologue only allows a few moments of true reflection to shine through, but Butterfield does good work with the material he's given.

Rachel Wagstaff’s writing shines in this adaptation that expertly blends theatre with a classic wartime story.