Frecknall tethers us to Blanche’s psyche in an acute way. It is as though the other characters can see the new world while Blanche cannot.

Both pieces were crafted, edited, and perfected with an attention to detail that experienced choreographers lose over time.

An incredible script is only as good as the actors who perform it. Here, 'The Years' soars, as all five women deliver masterclasses.

A keen sense of relatability propels 'Barcelona' forward, for comedy thrives on real-world relatability and is redundant in its absence.

This monologue only allows a few moments of true reflection to shine through, but Butterfield does good work with the material he's given.

Rachel Wagstaff’s writing shines in this adaptation that expertly blends theatre with a classic wartime story.

★★★★ | Five Lines  is a celebration of technical craftsmanship, dissolving concepts of what most believe to be a typical ‘theatre’...

If there exists a selection of productions that exemplify the London dance scene's versatility and exceptional quality, it is these six...

"I thought about how to find a visual representation of what humanoid life would be, and that’s how I decided to dual-role the actors."

Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.