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When speaking of fashion legends, Valentino Garavani stands alone. His name is synonymous with opulence, elegance, and timeless beauty, qualities that earned him the title of the Last Emperor of Fashion.

In her final essay, Nikita David annotates the style of 'I Love LA' offering some useful insights into the psychology of an LA influencer

Nepalese-born British designer Sanyuta Shrestha offers a daring proposition combining her native country’s legacy, love for imperial silhouettes and commitment to ethical fashion for Spring Summer 2026.

For twelve years, Charu has been quietly building LABBADA in the domestic market, developing a philosophy of luxury that whispers rather than shouts, that enhances rather than eclipses. In this conversation, Charu shares insights into the philosophy, craftsmanship, and quiet confidence that define LABBADA.

With his signature blend of humour, surrealism and trompe l’œil, he has introduced a refreshed vision that feels both respectful and forward-thinking. In Anderson’s hands, Dior is not rewritten, but reawakened proof that even the most historic fashion houses can evolve without losing their soul.

Natalia Georgopolous reviews ‘Marie Antoinette Style’ exhibition at the V&A, Kensington.

‘La Toile’, meaning ‘the canvas’ in French, is envisioned as a brand where women can express themselves freely, confidently, and with unmistakable elegance. The brand elegantly crafts its world through premium fabrics, refined cuts, and sensual silhouettes that whisper exclusivity.

In our first Annotations column, Nikita David explores the evolving style and image of 'Sex and the City's' Charlotte York.

The ’70s, the ’90s,  Y2K, all reborn through the lens of a generation that never lived them, yet they are attached to this idealised era. But beneath the sequins and nostalgia lies something deeper:

It all began with a simple Instagram post. Last February, Tare Isaac — now settled in the industry as a member of the British Fashion Council — called for minority creators to join her project. A decade after launching her own label ‘Twin by Tare Isaac’, she created The Unity in Design Global Network (UDGN), a platform to support underrepresented creatives in fashion, shaped as a response to the challenge she herself faced as a British-Nigerian designer in the UK.