strand

In Lieu of Flowers pays a beautiful tribute to Joshua’s Ghanaian and Western heritage, creating a unique concoction that illustrates the harmony between the two.

Scanning every graduate’s collection from their front-row seats, Claudia Limaverde Costa and Isabella Greenaway tell us what LCCA's fashion graduates have to offer.

Demna’s approach has the merit of raising a debate: this spectacle of ultra-tight-fitting cuts, which reveal super-curvy bodies, may lead the spectator to question the excesses of the obsession with building and displaying our bodies. By amplifying reality, Demna recalls how powerful fashion can be in forcing a step back. But the question remains: while the collection turns the thought-man archetype into a satire, isn’t Gucci capitalising on it, risking ultimately glamourisin

Sabrina Hau chatted with Astha Garg to explore her brand's identity and her distinguishing approach to material development, as preparations for the upcoming London Fashion Week are in full swing...

Image by Fran Zaina on Pexels When we think of colonialism, we picture ships crossing oceans, empires extracting resources, and foreign powers profiting from distant lands. Fashion appears far removed from that history. It sells creativity, self-expression, and individuality. Yet behind a £5 t-shirt lies a global system that bears uncomfortable similarities to colonial economic structures. Cotton is grown in one country, manufactured in another, branded in a Western capital,

From Rebecca Ogunribido's exploration of Yoruba heritage and Safiya Shakirova's tribute to the strength and traditions of Kazakh women to Raven's celebration of Hong Kong's Yum Cha culture, the nominated collections showcase fashion's unique ability to tell stories, preserve cultural identity and spark meaningful conversations

You can’t make it too perfect or mechanical, or else it’ll be too obvious that it’s fake. The art of tricking someone into thinking your replica food is real is so difficult, but when someone gives you that reaction, it’s incredibly rewarding.

To graduate from Central Saint Martins in 2026 is to step into an industry changing faster than anyone can predict. Nonetheless, these graduates confront this moment in their work

One may argue that Schiaparelli died with Elsa Schiaparelli; however, Daniel Roseberry’s commitment to honouring her legacy while simultaneously creating a world of his own is deeply inspirational.

When one intertwines the complexities of both fashion and art on the biggest night of the fashion calendar, one creates something far beyond clothing. An ephemeral masterpiece that exists for a single night yet echoes through culture long after the final flash of cameras fades.