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Writer Lara Walsh reviews Of Monsters and Men's latest concert from their 2026 tour titled The Mouse Parade

Writer Hannah Breen reviews Only The Poets' £1 sold-out concert at the O2 Academy Brixton while also discussing the importance of keeping music accessible to audiences and musicians.

Writer Tamara Wanja shares her narrative review documenting her experience at The Others for the Champion Trees headline performance.

The Standard called it “a feast for the eyes and the mind,” while The Guardian described it as “a mucky joy to behold.” Despite its modest-sounding premise, 'Dirty Looks' curated by Karen Van Godtsenhoven, is one of the most beautiful exhibitions I have ever visited. Highly relevant too, considering I had just read Susan Strasser's Waste and Want in December (worth the read if you're interested in sustainability and design.)

The way that The Chronology of Water (2025) is billed from a quick Google search is misleading. Kristen Stewart’s directorial debut cannot be reduced to a story about a swimmer. Adapted from the 2011 memoir by Lidia Yuknavitch, the film explores abuse and trauma, but ultimately results in healing through the power of writing.

Writer Hannah Breen reviews Maya Delilah's show as the supporting act for Lawrence at the O2 Academy Brixton

Five years after their first release, the band returns with More Time More Speed, a beautifully evocative album that explores the concept of time with warmth and subtle ambition.

H is for Hawk (2025) is a biographical drama film adapted by director Philippa Lowthorpe from the best-selling autobiography by the same name, published in 2014. The film follows Helen Macdonald, played by Claire Foy of The Crown fame, as she tends to a goshawk in the aftermath of her father’s death.

Rachel Sennott’s ‘I Love LA’ was caught in a whirlwind of cast discourse even before it was released.

A good film can make you feel and ponder endlessly; this one made me feel absolutely nothing, and I left the theatre confused and head empty.