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Chumisa Dornford-May gives us a Natasha who is equal parts endearing and frustratingly naïve.

Moore’s performance as the close-fisted Scrooge impresses with masterful comic timing and beautifully versatile vocals.

Admittedly, there are some hilarious moments, but the joke gets old fast.

Marber’s great accomplishment is his ability to preserve the essence of a great big Broadway musical in this intimate space.

The stellar performances from everyone in the cast are everything: moving, humorous, and uplifting.

Tom Stoppard's encrypted word games sing of an ingenious thesis on love and its different forms.

The production itself is a gift to the senses, packed to the brim with old-school theatre magic.

These video projections are second to none and unlike anything I have ever seen from the Rep.

There is much to enjoy about this folk-infused, upbeat musical, but they come at odds with the flatness of the musical itself.

The Royal Shakespeare Company is releasing special £10 tickets for all Matilda performances.