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Arriving at 180 Café, I was greeted warmly by Inder Paul Sandhu, the artist himself, his friends, and team, and the first thing I saw was the literal warmth everyone irradiated.

"The Raw and the Cooked" opened with a promise: eleven contemporary artists channeling medieval tradition to interrogate our own age of spiritual uncertainty and political upheaval. It is ambitious, and unevenly, but not without reward, the result mostly delivers on it.

Writer Emily Bunder reviews the "Every Body Knows" exhibition, part of the CMCI Winter Festival 2025.

'Da Vinci’s Laundry' is sensational in its precision. Nothing is overlooked, and the play never lets up. The compact cast sustains total focus, demanding and rewarding an equally engaged audience. No beats are missed, and the only unscripted pauses between jokes occur during particularly lengthy bouts of laughter, bordering on hysterical. The efforts of the entire team are in plain sight, as the minimalist and white set allows nothing to hide, and it all comes together magnif

‘I’m after the painter of memories.’ Aidan turns up the call volume; the voice sounds distant.

Yoshitomo Nara, One Foot in the Groove , 2012. Courtesy Private collection. © Yoshitomo Nara, courtesy Yoshitomo Nara Foundation. Until...

Photo by Christa Holka On a rainy weekend in June, I trekked to central London to visit Somerset House Studios, who were hosting The...

In a Perpetual Remix Where is My Own Song? (2025) © Tate As the recipient of the first annual Infinities Commission from Tate, Christelle...

A Review of E.1027: Eileen Gray and the House by the Sea

Alia Farid, Chibayish, 2022, video, courtesy of the artist ‘Moving Images’ is the theme for the seventh edition of the Jameel Prize, a...