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Last October, Danny Kaan got to see his work displayed on a West End theatre, but it wasn’t too long ago that his parents suggested he do...

STRAND Magazine writer and photographer Felicia Coulter takes us through Canada's icy landscape, the photographs from her travel diary bringing us on a journey with her across the quiet, snow-filled wilderness. 'New Horizons' Amidst the rugged beauty of Canada's landscape A traveler finds themselves in a foreign state Staring out at the vast wilderness surrounding them They set out on an adventure, seeking to comprehend What truths might lie within their soul And what le

STRAND photographer and writer Ana Aarhus Hudson describes her experience discovering photography through Lee Miller's photographs.

23rd February – 3rd June 2018 Free admission before 12.00 every day Exhibition Day Pass £4 (£2.50 concessions) Advance Online Booking £2.50 View Here This 2018 edition of the ‘Deutsche Börse Photography Foundation Prize’ at the Photographers’ Gallery features four artists: Batia Suter, Rafal Milach, Mathieu Asselin and Luke Willis Thompson. The foundation and the gallery have collaborated since 2005 to present every year a selection of artworks. Past winners included Soph

25 January - 22 April 2018 Prices: £16 - £7.25 (Members go Free) A multitude of tiny dark individuals assemble, dissolve and assemble again in the bright interior of an art gallery, as if led by an invisible hand. If you pause or fast-forward their motion at a high rate, this could be an Andreas Gursky picture hanging on the walls of the same art gallery. However, this is actually the “Andreas Gursky” exhibition at the Hayward Gallery of the Southbank Centre. The German ph

At first glance, this dark and abstract photograph catches the eye as a surreal portrayal seemingly lifted off from an H.R Giger design book. With a solid black background and a shining abstract image at its core the frame appears to be capturing something out of this world. Imagine the shock when I realized the photographs title was “cabbage”. However, this is not the abstract postmodernism one initially expects when connecting image to title but rather Lucia Pizzani’s exemp