State College 1996 - Photo by Elissa Zurbuchen In the early 1990s, long before streaming platforms or digital recording made independent music widely accessible, Should emerged from a small circle of home studios and tape machines. Formed in Austin, Texas by songwriter and producer Marc Ostermeier, alongside vocalist Tanya Maus and guitarist Eric Ostermeier, the project began as an experiment in sound rather than a conventional band. Originally recording under the name shiFt,

Photo by Sadie Martin For more than three decades, Starflyer 59 has built one of the most enduring catalogues in American alternative music. Founded in Riverside, California by singer, songwriter, and multi-instrumentalist Jason Martin, the project began in the early 1990s as a hazy outgrowth of the shoegaze movement before gradually transforming into something far broader and harder to categorise. The band’s beginnings came almost by chance. In 1993, Martin handed a demo to

Photo by Page Swanson Led by Vermont based composer, multi instrumentalist, and recording engineer Henry Birdsey, Old Saw operates less like a traditional band and more like a quietly shifting collective. Described as a ‘network of New England string pluckers, organ drivers and bell ringers,’ the project brings together Bob Driftwood on banjo, Ira Dorset on fiddle, Rev. Clarence Lewis on pipe organ, Harper Reed on resonator and nylon string guitars, Ann Rowlis on orchestral b

Portrait of Tracey Emin Tate Modern 2026. (c) Tate Sonal Bakrania A Second Life is a landmark exhibition at Tate Modern, bringing together forty years of work by Dame Tracey Emin. Spanning fourteen rooms and created in partnership with Gucci, the exhibition moves across painting, video, textiles, neon, writing, sculpture and photography to explore the female body in its most exposed and vulnerable states. It is often said that Emin’s work is unapologetically herself. Yet apo

Writer Lara Walsh reviews Of Monsters and Men's latest concert from their 2026 tour titled The Mouse Parade