In the film and TV industry, live-action adaptations have become the new craze. They cater to the existing fans of a piece of media, while also trying to amass the biggest possible viewership, but can both sets of viewers be successfully satisfied?

On a Sunday evening in Knightsbridge there was a hum of excitement and anticipation from everyone surrounding the entrance. It was only natural, given that this was Genaro Rivas’ sixth consecutive fashion week. Rivas has always presented collections that were fresh and innovative and his recent collection ‘A Glass to Break’ was no exception.

The queue outside snaked around the corner, leaking onto the streets in colourful streams, all attendees buzzing in designer streetstyle - as if they could take on the catwalk at a moment’s notice if the opportunity struck. Fashion Scout’s AW26 edition of Ones to Watch was already announcing itself as the moment. Seven designers, and one runway that might decide the pressing future of the fashion industry.

All images credited to Rebecca Woolich The world of film is multifaceted. We often focus on the stories told in long-form: but the individuals who make short films have an equally important message to tell, and deserve recognition and platforming. One such film is BOY , which follows Danny, a young gay man looking for a casual hookup. He meets Mark on a dating app and invites him over to fulfil his desire. But Danny soon realises that he’s not the only one with a mission. The

State College 1996 - Photo by Elissa Zurbuchen In the early 1990s, long before streaming platforms or digital recording made independent music widely accessible, Should emerged from a small circle of home studios and tape machines. Formed in Austin, Texas by songwriter and producer Marc Ostermeier, alongside vocalist Tanya Maus and guitarist Eric Ostermeier, the project began as an experiment in sound rather than a conventional band. Originally recording under the name shiFt,