The 100 Club is an infamous venue, becoming an important landmark for almost every subculture. Hosting music since the early 1940s, the club has seen it all,from the likes of The Sex Pistols to Suede. Decade by decade, its musical history has become part of the foundation of its appeal, particularly to the ‘new wave’ of musicians in the 2020s, with Violet Grohl and her opening act, Bekkah Bossard, being evidence.

The World Came Flooding In is an XR installation that recreates lost objects and spaces to tell the stories of those affected by the 2022 Australian floods.

Bethany Williams officially returns to this year’s fashion week in collaboration with TOAST Renewed, a collective that creatively repairs previously loved pieces into new garments

Many clubs last, but very few become part of a city's story. On the 2nd and 3rd of October, Ministry of Sound marked its 35th birthday with a landmark weekend celebrating 35 years at the heart of dance music, welcoming some of electronic music's most influential artists across a range of genres.

This installation brings its viewers on a journey through the flowing connections of water in all shapes and forms. From a bathroom sink to vast oceans, it acts as a commentary on water biodiversity and visualises the world’s streams and oceans as a kind of circulatory system.