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Photo by Daniela Denyer Malo Hot Mess feels like a fever dream – in the best way possible. There’s no better way to describe it than as if a ‘90s sitcom show and SIX the musical had a theatre baby… and that’s how this show came to be. Not only is it a perfect representation of the toxic relationship between the earth and humanity, with the best level of comedy to make it interesting, but the music will also have you dancing along the whole time. The premise is brilliantly ri

Photo by Daniela Denyer Malo The Wedding People by Alison Espach, a fiction novel published in 2024, has become increasingly popular in reader circles this year and with good reason too. Marketed as a chick-lit romance, readers expect a funny, light-hearted, whirlwind romance type of book, yet what awaits within the pages is so much more. Beginning with an unexpected premise, our main character’s first proper interaction reveals the most unexpected backstory and motivations –

Photo by Elise Kosco Singer, songwriter, producer, and creative director Cosette is the definition of a hands-on artist. From writing and recording her music to producing every track, overseeing mixing and mastering sessions, and even editing her own visuals, she's involved in every step of the creative process. A Berklee College of Music graduate in Electronic Production and Sound Design, the Nashville native has spent the past few years crafting a sound that blends electro-

Photo by Umair Dingmar on Unsplash (licensed under the Unsplash licence) In the summer of 2025, the two-part documentary ‘The Hunt for Shannon Matthews’ (Ben Sheldon, 2025) was released – all about the staged kidnapping that put my hometown of Dewsbury, West Yorkshire on the map. I watched it, of course. My whole family did. I even made my boyfriend – privately educated and capable of pronouncing his t’s – watch it too. A sort of “look at this crazy place I call home” exercis

Photo by Daniela Denyer Malo The Fantasia Orchestra – from Mahler to Manhattan, has arrived in London this week in full force and will be touring the UK for the coming months. Directed by Tom Fetherstonhaugh, the Fantasia Orchestra takes the audience on an out-of-this-world journey that transports you from the city centre to every magical and fantastical setting you can imagine. For this special show, Niamh O’Sullivan, the Irish mezzo-soprano, joins the orchestra and manages

Photo by Daniela Denyer Malo It is a rare thing, to find such talented actors in a production with such a terrible script as this one. Dark of the Moon is the musical currently playing in the Charing Cross Theatre and if the AI-looking poster isn’t enough to deter you from attending, the first song will make it all worth it… right up to the point where the ‘witches’ start singing. Dark of the Moon is a supernatural musical set in the Appalachian Mountains, where the human wor

You can’t make it too perfect or mechanical, or else it’ll be too obvious that it’s fake. The art of tricking someone into thinking your replica food is real is so difficult, but when someone gives you that reaction, it’s incredibly rewarding.

Photo by Julia Barrantes via Pexels (licensed under the Pexels Licence) Erika Kohut, the piano teacher, stands in her ultralong skirt and perfectly modest blouse, clutching the chest from which blood now oozes – a self-inflicted stab wound. She does not cry. She exits the concert hall in which she is set to perform and disappears into the streets of Vienna. The credits roll. Congratulations, viewer, you may now mark ‘The Piano Teacher’ (Michael Haneke, 2001) as watched on Let

Photo by Dhruv Sabherwal Born and raised in Hounslow, Kizzi began to DJ at the young age of 15 – an experience that undoubtedly shaped her sound. Her speciality as a DJ lies in blending what she grew up with: the Dhol she picked up at a young age, the Bhangra she danced to with her mother, the Afrobeats she heard at school. Her distinct and vibrant sound moves from South Asian beats to old-school hip-hop classics, with SXSW asserting that she is “carving her own path in the

Photo by Aidan Cullen Few artists embody the cross-pollination of Los Angeles' independent music scene quite like Kiefer. A pianist, producer and composer whose work draws equally from jazz, R&B, hip-hop and electronic music, he has spent the last decade carving out a sound that feels impossible to place within a single genre. Instead, his music exists in the space where these traditions overlap, blending improvisation, groove and beat culture into something entirely his own.