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Superhero stories have always been more forgiving of their male leads. Their flaws are built into their character and not often do they have to correct them before being considered heroic. Female superheroes have not always had that same freedom.

Photo by Umair Dingmar on Unsplash (licensed under the Unsplash licence) In the summer of 2025, the two-part documentary ‘The Hunt for Shannon Matthews’ (Ben Sheldon, 2025) was released – all about the staged kidnapping that put my hometown of Dewsbury, West Yorkshire on the map. I watched it, of course. My whole family did. I even made my boyfriend – privately educated and capable of pronouncing his t’s – watch it too. A sort of “look at this crazy place I call home” exercis

Photo by Julia Barrantes via Pexels (licensed under the Pexels Licence) Erika Kohut, the piano teacher, stands in her ultralong skirt and perfectly modest blouse, clutching the chest from which blood now oozes – a self-inflicted stab wound. She does not cry. She exits the concert hall in which she is set to perform and disappears into the streets of Vienna. The credits roll. Congratulations, viewer, you may now mark ‘The Piano Teacher’ (Michael Haneke, 2001) as watched on Let

Upon the release of the ‘Backrooms’ trailer, excitement was entwined with concern online over how exactly it would be pulled off.

Through a combination of contemporary footage and archived material, present-day interviews and reflections, Northern Soul: Still Burning resurfaces the story of the underground scene as it erupted through (and beyond) the Northern towns of England.

Never Had a Chance is a gritty West-London crime drama which debuted at the UK Asian Film Festival on 9th May 2026. The Strand Magazine sat down with director and writer Jazz Bhalla to discuss his motivations behind making this story.

Never Had A Chance is a gritty, west London crime drama that focuses almost entirely on the love story between Ravi and Sukhi, two Punjabi-British young adults, and the struggles and conflicts that result from Ravi’s quickly spiralling personal life.

Hokum follows the journey of apathetic American author Ohm Bauman (Adam Scott) to the rural Irish hotel where his parents once honeymooned.

The philosophical question, “Is a crime defined by the act itself, or by the mind that conceived it?” anchors The Drama (2026)

The Rose of Nevada doesn’t open simply; it instead offers glimpses at decay: rotting timber, lichen and images of a Cornish fishing town well past its prime. The opening scenes of the film offer a glimpse of the plot to come: a movie about time and what we owe to our community.