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Oscar Isaac in Frankenstein (Guillermo del Toro, 2025); Image courtesy of BFI London Film Festival 2025 Headlining the London Film Festival, Guillermo del Toro’s Frankenstein  (2025) was one of the most highly anticipated premieres. Starring Oscar Isaac as the titular scientist, Victor Frankenstein, and Jacob Elordi as The Creature, the film’s supporting cast also features Christopher Waltz, Mia Goth, David Bradley, and Lars Mikkelson, who bring a mixture of warmth, melancho

Josh O’Connor in The Mastermind (Kelly Reichardt, 2025); Image courtesy of BFI London Film Festival 2025 The recent Louvre robbery has caught the world’s attention. This short eight-minute heist reads like a movie – speedy and brazen. Does our fascination with this crime reveal how drawn we are to such plots? Clearly, the allure of such a heist captures our interest. And coincidentally, Kelly Reichart’s recent feature, The Mastermind , shown at the BFI London Film Festival an

The programme for the 2025 festival (running from the 14th to the 28th of November) is jam-packed with exciting new productions: if you’re passionate about Palestine and its rich and resilient history, you won’t want to miss out.

The Vile (Majid Al Ansari, 2025); Image courtesy of BFI London Film Festival 2025 Emirati director Majid Al Ansari’s latest feature, The Vile (2025), is a masterclass in bringing the modern Gothic to your doorstep. When Amani, a loving wife and mother, finds herself playing second fiddle to the new (and younger) bride her husband ushers in without telling her, her life begins to unravel from the inside out, outside in. The hour and a half that follows narrates the lives of A

When Emerald Fennell, the provocative filmmaker behind Saltburn, announced her next project: a modern, erotic adaptation of Wuthering Heights, the internet couldn’t get enough of it.

One Flew Over the Cuckoo’s Nest (1975) acts as a cautionary tale toward complacency. The psychological drama centres around Randle McMurphy’s (Jack Nicholson) occupancy in an Oregon psychiatric ward; his navigation of its unshakeable rules and systems leads to a plethora of incidents, sometimes intense or comedic, sometimes hopeful or hopeless.

I would like you to imagine that you are a middle-aged man with two young boys who has just lost his wife and the mother of his children. Now sprinkle in your inability to parent and grieve synonymously, what would that produce?

Photo courtesy of Goldfinch Entertainment Few filmmakers have captured the pulse of modern music history quite like Oliver Murray. Over the past six years, the Oxford-born director has carved out a distinctive space at the intersection of film and sound, documenting some of the most influential figures and movements. From his early days making music videos for The Horrors, Fink, Midlake, and Noel Gallagher, Murray’s storytelling has evolved into a deeply human exploration of

Davies’ legacy lives on through his art, and the BFI fosters that legacy as it commemorates him through the re-release and remastering of his works. We had the privilege of being invited to watch the first in this series: The House of Mirth. 

“A before David and an after David” is how Sabrina Sutherland described the change in her professional and personal life when she started working with Lynch; those who surrounded him seemed to feel the same gravitational pull.