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Photo by nidan via Pixabay (licensed under the Pixabay Content Licence ) Since the release of its first trailer, “ Wuthering Heights ” (Emerald Fennell, 2026) has made one thing clear: this is not a story about love conquering all, nor even about love consuming everything; rather, it is about the romanticisation and commodification of abuse shrouded under the pretense of love. Calling it an adaptation of Wuthering Heights would be an overstatement; many critics and devoted

Underland (2025) is a cinematic voyage depicting three subterranean landscapes. From caves, to storm drains, to underground laboratories; this documentary values life beneath the surface.

Image courtesy of David Underland via Unsplash The concept of love is regularly up for debate, with everyone having something to contribute to its discourse. Everyone seems to have their own perception of this phenomenon, having witnessed it from their youth. It seems fair then, that my assessment of love is that it is brave, vulnerable and a submission of the ego. To others, perhaps to you, love isn’t any of those things. Maybe it is imprudent, delicate and frightening. Wha

In London’s February, the sight of a snowdrop is not botanical - it is psychological.

Which top titles should you be watching your calendar for? Here are some of the most anticipated games that fans will be awaiting through 2026

The age-old paradox: so many clothes, yet nothing to wear, affects us all. It’s so common to get dressed and feel uninspired, with these symptoms only relieved through buying something new. This creates a cyclical pattern – boredom leads to purchases, which in turn lead to more boredom, and so on. Since this cycle is so prominent, it’s worth asking, is “wardrobe burnout” really our own fault?

Creativity under capitalism, and how fashion designers can launch their own businesses using the free resources and guidance compiled by Virgil Abloh.

From the moment we enter the pristine white interiors of the Winchesters’ home in The Housemaid, we are suffocated by perfection, or rather the façade of it.

Image courtesy of British Library Images Swayed by the motion of the Circle Line, I grip the overhead rail with one hand, an Oxford Classics paperback in the other. The modernist fragmentations of Jacob’s Room by Virginia Woolf become increasingly oblique as I read (without a hint of performativity), making me wish I had a hand free to scratch my head. My attention starts to wane. Opposite, a fellow commuter smiles warmly into a screen. A message from someone close, perhaps;

Riz Ahmed stars in a 2025, modern-day adaptation of Shakespeare’s Hamlet directed by Aneil Karia, set in economically and politically corrupt London within a British-South Asian family.