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Photo by Johanna Hvidtved Copenhagen-based duo A Good Year, formed by Albert Hildebrand and Tobias Laust, is reshaping the edges of Denmark’s alternative scene with their blend of cinematic textures and understated pop. Their sound drifts somewhere between ambient pop, cinematic electronica, and textures songwriting – music that feels as visual as it does melodic. After releasing their soundtrack album Sofina in 2024, a project that began as a soundtrack to one of their own

Photo by Pablo Gallegos At just twenty-five, London-based producer, DJ, and music director Oscar Farrell has quietly become an intriguing new name in the capital’s electronic scene. Signed to dh2 , Farrell’s music sits somewhere between introspection and movement, rich with textures of late-night London, filled with the pulse of its dance floors and the quiet calm of the bus ride home. Since the release of his debut EP ‘I’ve Already Called’ in April 2025, Farrell has built a

Photo by Guy Gooch For London-based Portuguese artist Raquel Martins, the idea of home has never been a fixed point. At seventeen, she left Porto for London with a guitar and a quiet determination to make music – a move that would eventually shape her sound as much as her sense of self. Blending the warmth of rhythms with the intimacy of alternative jazz and the texture of lo-fi indie, her music feels like a dialogue between worlds: nostalgic yet forward-looking, grounded yet

Review of Lee Miller's new retrospective exhibition at Tate Britain

There is always something surreal about an APUJAN show. This season was no different. The Taiwanese label landed back at London Fashion Week with The Extraordinary Voyage of Captain Peach, a surreal retelling of the Japanese folktale Momotaro.

Community, harmony, and ancestry lie at the heart of tribal identity, and these universal values are the core of Ginny Litscher's SS26 collection. Channeling her inspiration from the Native American Plains and the Mongolian Steppes, Litscher reimagines traditional indigenous patterns and palettes, weaving them seamlessly into her contemporary aesthetic.

Each collection was full of soul, passion and artistry, but a collection that caught my eye in particular was Nathan Slate's ‘Mourning’. It was a collection that reexamined the concept of sustainability, leaving the audience with something to reconsider. Needless to say, Slate debuted in London Fashion Week with a statement by bringing a different perspective to the conversation.

“A before David and an after David” is how Sabrina Sutherland described the change in her professional and personal life when she started working with Lynch; those who surrounded him seemed to feel the same gravitational pull.

Abou Sangare in Souleymane’s Story (2024); Photo courtesy of Conic Films Souleymane’s Story (Boris Lojkine, 2024) is a French language film following breakout star Abou Sangare as Souleymane, an asylum-seeker from Guinea. This film follows Souleymane through the 48-hour period before his citizenship interview where he must revise a fabricated story sold to him by Barry, a “social worker” who helps him prepare documents and memorise dates. The question this movie asks at it

Amid the buzz of London Fashion Week, INFDark SS26 lit up Protein Studios in Shoreditch with their Spring/Summer 2026 collection. The designer Wei Kuo reimagined the audacious eclecticism of the 1980s for a contemporary audience. Hannah Breen Gibbons and Niki Dribusch cover.