Introducing KG

Photo by Yao

KG (Kultured Glass) is a project rooted in reflection, observation, and confidence. Emerging from Brighton and now shaping her sound in London, KG approaches music as a way of understanding herself rather than defining a genre. What began as a deeply private practice has slowly unfolded into something shared, guided by instinct, curiosity, and moments of affirmation that felt impossible to ignore.

Drawing influence from artists like Mac Miller and Billie Eilish, KG balances softness with intention, writing songs that explore emotion without wallowing in it. Her music invites listeners inward, offering space to reflect, feel, and come away a little more grounded than before. As the project continues to take shape, KG is building a world that values honesty, gentleness, and growth above all else.

How would you describe your music and what it represents for you right now?

I always struggle to describe it. Even when people ask about genres, I don’t really have an answer and I’m not sure I want one. The music is very introspective. It helps me understand my inner world and my emotions. Sometimes I only realise how I feel once I’ve written something. Even when I’m writing about situations that haven’t happened to me, it’s still a deeply personal and reflective process.

When did you first realise you wanted to make music under the name Kultured Glass, and what drew you to that identity?

I was taking photos in the street and came across a closed coffee shop in Brighton. It had this big window with a drawn-on smiley face, reflecting the brick houses opposite. Inside you could see bananas, posters, and traces of people who had been there. It felt like it captured the culture of the place. That image stuck with me and became Kultured Glass.

What moments or experiences shaped your relationship with music before you ever thought about releasing songs?

At school I always had my headphones in. Music was pure escapism and let me exist in whatever world I wanted. Making music was my biggest secret. I didn’t even tell my family. It felt sacred and private, something I had to do alone. Putting it out into the world was terrifying at first. 

How did you go from being so secretive about your music to releasing it?

Reading The Creative Act really changed my perspective. I took away this idea that when you truly follow what you want, things start to align. I started questioning my fear and leaning into discomfort.

I was finishing my placement year in London and went back to Brighton for my final year at uni. With a week left there, I booked studio time to record a demo because it was cheaper. I recorded a cover of a Mac Miller song. The engineer’s reaction surprised me and gave me this sense of affirmation, like I was doing what I was meant to do. I sent those demos out to artists and producers I admired.

A few months later I was asked to write lyrics and vocals for a UK artist. The song, ‘Friday Night’ by Demm Deep, Dredda and I, recently passed a million streams. That gave me confidence to focus on my own music in London. During Fashion Week in 2025, I met Alex T.Nam at an event. We clicked immediately and made ‘Dimes’ the following week. That was the first time everything felt natural and clear. I knew that was the sound I wanted to pursue.

How do you usually start writing a song, and what tends to guide you in the early stages of the process?

It varies. Sometimes I have a loose idea or a few lines written down, other times I let the process lead completely. It depends whether the idea comes first or the feeling does.

What artists, sounds, or ideas have been influencing you as you find your voice as a new artist?

Mac Miller is a huge influence because of how versatile he was and how he never took himself too seriously. Billie Eilish too. Her voice made me realise it’s okay to be soft. She can be gentle and quiet, but also loud and intense when she wants to be.

As this project begins to take shape, what do you hope listeners feel or connect with when they hear your music for the first time?

I’m very conscious of language and energy. What we consume becomes part of how we think and see the world. Even when I’m writing about heartbreak or difficult emotions, I try to use words that feel uplifting. I want listeners to feel encouraged, more confident in themselves, and maybe question how they feel in a healthy way. Ultimately, I want them to leave feeling better.