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★★★☆☆ Mario Macilau, Breaking News from The Profit Corner series, 2015. Archival pigment print on cotton rag paper. © Mário Macilau,...

With vibrance and energy, Shabu and its equally vivacious subject have a lot to say about life and growing up, delivered through the most...

★★★★☆ Cecily Brown, Trouble in Paradise, 1999. © Cecily Brown. Image © Tate. The Tate galleries love putting sentences on the walls....

★★★★☆ Image by Ernest Chlopicki In a world that is hyper-saturated with images, those that should matter have, in fact, a diminishing...

★★★★★ Carrie Mae Weems If I Ruled the World, 2004 © Carrie Mae Weems. Courtesy of the artist, Jack Shainman Gallery, NewYork / Galerie...

William Blake, Newton,1795-c.1805. Colour print, ink and watercolour on paper; Support: 460 × 600 mm. Photo: Tate Much of the criticism...

★★☆☆☆ Celebrating the connection between a sexualised hoover, nocturnal wildlife, a rocket launch and the indigenous populations of Lapland is a tough challenge, and one that the V&A has set itself unnecessarily in their brand new Photography Centre. ‘Photography’, as we are reminded at repeated intervals throughout the ‘Sir Elton John and David Furnish’ gallery, ‘is embedded in the story of the V&A’ as it has been collecting photographs since the 1850s, resulting in ‘one of

'Civilisation: the way we live now' at the Saatchi Gallery is an ambitious, wide-ranging success for contemporary photography.

A couple of years ago, I was rearranging my bedroom. After turning 16 I was hit by a sudden need to redesign my entire being, including,...

'Souls Grown Deep Like the Rivers' review: vibrant artwork let down by drab presentation